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Τελετή Λήξης Με Παρουσίες Επωνύμων και Βραβεύσεις

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ΘΕΡΜΗ ΥΠΟΔΟΧΗ ΑΠΟ ΤΟ ΝΕΑΝΙΚΟ ΚΟΙΝΟ ΓΙΑ ΤΗΝ ΕΛΛΗΝΙΚΗ ΤΑΙΝΙΑ «Ο ΞΕΝΑΓΟΣ»

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Τελετή Λήξης: Πρώτη Προβολή της ταινίας "Υπηρέτριες" - Bραβεύσεις

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Ωρολόγιο Πρόγραμμα Προβολών

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Διαγωνιστικό Τμήμα και Ταινίες σε Πρώτη Προβολή

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Τρεις Ελληνικές Ταινίες στις Πρεμιέρες του 24ου Πανοράματος

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Το Spot του 24ου Πανοράματος Ευρωπαϊκού Κινηματογράφου

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ΑΦΙΕΡΩΜΑΤΑ: Akira Kurosawa, Samuel Fuller, και Ελληνικός Κινηματογράφος της Δεκα

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ΕΝΑΡΞΗ ΜΕ ΤΗΝ ΤΑΙΝΙΑ "ΚΑΠΟΤΕ ΣΤΗΝ ΑΝΑΤΟΛΙΑ" ΤΟΥ NURI BILGE CEYLAN

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24o ΠΑΝΟΡΑΜΑ ΕΥΡΩΠΑΪΚΟΥ ΚΙΝΗΜΑΤΟΓΡΑΦΟΥ

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poster

programme

Competition Section

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At the Competition Section, as in every year, recently produced European films that have not yet been bought by a Greek distributor will compete for the Panorama Prize. The Jury of...

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Avant-Premières

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The first film in the "Avant-Premières" section of the 24th Panorama is the one that officially opens the festival, the awarded (Grand Prize of the Jury – Cannes film festival) Turkish ...

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Akira Kurosawa

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100 + 1 years after his birth, the Panorama selects three masterpieces and great directorial risks that are indicative of the breadth of his work. “Seven Samurai” constitutes his most recognisable ...

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Samuel Fuller

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The 24th Panorama concludes the tribute to Samuel Fuller that began last year with great success. Celebrating 100 years from his birth in 2012, the tribute will conclude the introspection ...

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Greek Cinema of the 90s

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Concluding the practice inaugurated by the directors of the New Greek Cinema of the 70s and 80s, the Greek Cinema of the 90s gradually abandons its introvert nature and experiments wi...

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Short Films

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The 24th Panorama will screen 14 short films that are nominated for the 2010 UIP European Film Academy Award.   Ghent film festival AMOR Dir. Thomas Wangsmo (Norway, 14’, fiction) Five minutes. € 1,000. Everybody’s ...

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Katina Paxinou

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    The tribute focuses on the films that Katina Paxinou filmed abroad: Sam Wood’s “For Whom the Bell Tolls”, Luchino Visconti’s “Rocco and His Brothers”, Orson Welles’ “Mr. Arkandin”, and the Br...

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